(Source: whataboutbobbed, via ashleysugarface)
(Source: dirtmirster, via blowjob-from-hell)
It gnaws at her, I’m sure of it, but slowly, patiently: she takes the upper hand, she is able neither to console herself nor abandon herself to her suffering. She thinks about it a little bit, a very little bit, now and again she passes it on. Especially when she is with people, because they console her and also because it comforts her a little to talk about it with poise, with an air of giving advice. When she is alone in the rooms I hear her humming to keep herself from thinking. But she is morose all day, suddenly weary and sullen.
“It’s there,” she says, touching her throat, “it won’t go down.”
She suffers as a miser. She must be miserly with her pleasures, as well. I wonder if sometimes she doesn’t wish she were free of this monotonous sorrow, of these mutterings which start as soon as she stops singing, if she doesn’t wish to suffer once and for all, to drown herself in despair. In any case, it would be impossible for her: she is bound.
—Nausea by Jean-Paul Sartre (p.11)
(Source: alanarene)
I wish mine could do this.
(Source: fecskelaszlo, via theadventuresofmichaelpawlak)
“Trans-Europ-Express” (1967) - Alain Robbe-Grillet
(Source: kittenmeats, via mkultradiscipline)
(Source: carliissocoollike, via rum-and-starwars)
Salvador Dali setting up his ‘Dali and the Skull (in Voluptate Mors)’, 1951. Photo by Philippe Halsman.
(via mkultradiscipline)
(Source: whatabeautifulletdown, via cipecrop)

